![]() ![]() In 2014, Hungarian librarian Balázs Mikusi discovered in Budapest's National Széchényi Library four pages from the first and middle movements in Mozart's autograph manuscript of the sonata. Pianist Arcadi Volodos arranged a virtuoso piano solo paraphrase, loosely-built from keyparts of the Sonata.įolk metal band Ulytau published a metal version of the Rondo alla Turca in 2009. Dave Brubeck's " Blue Rondo à la Turk" (1959) is not based on or related to the last movement. 1953) used the same theme for a set of variations. The theme of the first movement was used by Max Reger in his Variations and Fugue on a Theme by Mozart (1914) for orchestra. Relationships to later compositions and arrangements There is a brief piano restatement of the theme in the middle of the coda followed by a final forte restatement before an ending in octaves. Coda: A forte theme consisting mostly of chords (arpeggiated and not) and octaves.Section E: A forte scale-like theme followed by a modification of section D.This section is in the relative key, F ♯ minor. Section D: A piano continuous sixteenth note melody over a broken-chord accompaniment.Section C: A forte march in octaves over an arpeggiated chord accompaniment.Section B: This section introduces new material in a melody in thirds and eighth notes before varying the A section with a crescendo before falling back to piano by a modification of Section A.Section A: This section, in A minor, consists of a rising sixteenth-note melody followed by a falling eighth note melody over a staccato eighth-note accompaniment.It imitates the sound of Turkish Janissary bands, the music of which was much in vogue at that time. Mozart himself titled the rondo "Alla turca". Audio playback is not supported in your browser. ![]()
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